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Woven into the fabric of Wellington City, Te Matapihi Wellington Central Library is an iconic post-modern heritage building and cornerstone of the Civic Square development.
Ellen Sorkin
Claudia Rist
Beejays
Lucy Cable
Kristian Bisset
New Zealand
Woven into the fabric of Wellington City, Te Matapihi Wellington Central Library is an iconic post-modern heritage building and cornerstone of the Civic Square development. Originally designed by Sir Ian Athfield of Athfield Architects, the library was opened in 1991, serving as a beloved gathering place for Wellingtonians of all ages until it was closed due to seismic vulnerabilities in 2019. Commissioned to refurbish and strengthen the building, Athfield Architects returned to the drawing board, replanning the space to reflect the current cultural atmosphere while honouring the building’s distinct architectural roots.
“Wellington Central Library was listed as a Historic Place Category 1 in early 2021. The listing specifically refers to it as an ‘intact and authentic example of postmodern architecture in Aotearoa New Zealand’ and includes furniture, artworks, and custom joinery,” says Athfield Architects’ Jamie Lawrence.
“The restoration project included new landscape, multiple entries, more glazing, views, and circulation options—refreshing and activating the interfaces and relationships with City Gallery, Te Ngakau Civic Square, Victoria, and Harris Streets. We re-imagined the interior to include community spaces, a children’s play and learning hub, maker’s spaces, and the Wellington City Archives.”
Unsurprisingly, acoustics were a key consideration for the building’s interior spaces. With high ceilings and hard, reflective surfaces making up much of the material palette, these old buildings are perfect echo chambers. As the main library area is largely open-plan, it needed to allow for quiet study, performance, and play—sometimes simultaneously. Community meeting rooms, reading rooms, digital media spaces, and specialist recording studios also needed to be treated to ensure they would be functional, especially given their proximity to the main library space.
As a historically significant community and cultural hub, Te Ao Māori was an integral part of the design direction. Collaborating with Tihei (led by artist and carver Rangi Kipa), Athfield Architects were guided by the concept of Te Taiao, which represents the innate and intergenerational connection between people and the natural world.
“Te Taiao informed many of the custom acoustic designs in Te Matapihi. Acoustic wall panels in the public meeting and reading spaces host upscaled versions of native flora and fauna to re-educate and highlight the importance of respecting the natural world, particularly the often uncelebrated smaller plants, birds, and insects,” Jamie explains.
Noise reduction is critical in a library setting, making Quietspace® Panel an integral part of the project. In the children’s events space, a lowered ceiling creates a cave-like scene, with re-used heritage ceiling panels clustered against folded acoustic ‘lichen’ fixed to Autex Acoustics® Horizon™ system. For Ngā Pou Ruahine, the library’s seminar, social, and collaborative function space, 12mm Cube™ was printed with four Rawa by Darcy Nicholas (Te Āti Awa, Ngāi Te Rangi, Taranaki, Ngāti Ruanui, NgātIu Hauā)—the prints’ vibrant colours a captivating continuation of Te Matapihi architectural narrative.
Over the year and a half timeline, the Autex Acoustics design team played an integral role in realising the project’s vision.
“The architect was originally pushing for 100% Cube inlay to create the animal walls, which would have meant much more complexity at all stages of the design and installation process,” says Ellen Sorkin, Autex Acoustics Design Consultant Lead.
“We recommended that they use print instead, as it would remove the difficulty of cutting and inlaying small, intricate pieces like bug antennae or thin legs. We were able to successfully print match our Cube colours, even on different coloured Cube bases, and the architect was extremely impressed with the quality. The colours we matched looked spot-on and even included the “mottle” texture to imitate the finish of our regular Cube. The samples won them over and it was an easier process for the entire job to come together.”
The finished space features a selection of 12mm Cube with decorative print, inlay, and Groove™. The lichen ceiling and wall installation was created using 12mm vee-grooved and folded Cube, glued and screw fixed to 12mm and 24mm Cube on the walls and ceiling respectively. Integral to the expression of the architectural and cultural narrative, these treatments also provide high-performance acoustics for a space where sound—both silenced and projected—is core to its function.
Re-opened on March 14th 2026, the refurbished library will continue its legacy as a valuable third space for Wellingtonians, celebrating the cultural history of Aotearoa through art, performance, literature, and community events.
Cube™ Tree House with overlaid Vertiface® (velour) in Gherkin
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The details behind the design are just as important as the finished result. Explore the products that helped bring this project to life.
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With no climate reporting or emission reduction legislation for small and medium sized Kiwi businesses, Autex Acoustics® are taking on the responsibility, hoping their action will inspire others to do the same.
With no climate reporting or emission reduction legislation for small and medium sized Kiwi businesses, Autex Acoustics® are taking on the responsibility, hoping their action will inspire others to do the same.
With no climate reporting or emission reduction legislation for small and medium sized Kiwi businesses, Autex Acoustics® are taking on the responsibility, hoping their action will inspire others to do the same.
With no climate reporting or emission reduction legislation for small and medium sized Kiwi businesses, Autex Acoustics® are taking on the responsibility, hoping their action will inspire others to do the same.
At volupta speruptam fugiasim fugitat iorepudi occumqui. Itatiusam volupient, officatis eumet facesci tem nis ullande rnimos aut od quae voluptae inciamus.